The Cognitive Act of Looking
Observed Realities
This selection of drawings explores the boundary between technical observation and psychological presence. Working across media such as graphite, charcoal, and ballpoint pen, I examine how focused attention transforms the act of depiction into an interpretive process. Each work resists the purely documentary, instead emphasizing the subtle distortions that emerge through sustained looking.
Drawing for me is not only a way to record but a method of thinking — a cognitive discipline that allows reality to be both scrutinized and reimagined. These pieces often originate from direct observation, yet they retain traces of memory, discomfort, and narrative ambiguity. I am particularly interested in how surface detail can function as both evidence and artifice.

Charcoal on Paper
76cm x 56cm (30″ x 22″)
2025

Charcoal on Paper
56cm x 76cm (22″ x 30″)
2022

(True Effigy of Our Lady of the Fishes According to How I Remember Her When She Came In Through the Bathroom Window)
Charcoal on Paper
76cm x 56cm (30″ x 22″)
2024

Ballpoint pen on Moleskine Calendar Notebook
25cm x 39cm (10″ x 15 1/4″)
2025

Charcoal and Pastel on Paper
38cm x 38cm (15″ x 15″)

Ballpoint Pen on Paper
43cm x 28cm (17″ x 11″)
2020

Graphite and Charcoal on Paper
27.94cm x 21.59cm (11″ x 8 1/2″)
2018

Color Ballpoint Pen on Paper
15cm x 15cm (6″ x 6″)
2021

18.4cm x 29.8cm (7 1/4″ x 11 3/4″)
2021

Ballpoint Pen on Paper
22.86cm x 30.48cm (9″ x 12″)
2021
Private Collection

Ballpoint Pen on Paper
56cm x 76cm (22″ x 30″)
2013
Private Collection

Color Ballpoint Pens on Paper
15cm x 15cm (6″ x 6″)
2020
Private Collection

Ballpoint Pen on Paper
14.2cm x 10.5cm (5 1/2″ x 4 1/4″)
2025
Private Collection

Ballpoint Pen on Paper
15.24cm x 10.16cm (6″ x 4″)
2023
Private Collection

Ballpoint Pen on Paper
30.48cm x 22.86cm (12″ x 9″)
2024