baroque
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Love Conquers All, another story about censorship
Carlos Fentanes
In 1602, Caravaggio completed Amor Vincit Omnia, or Love Conquers All. It was the kind of work only Caravaggio could create: Cupid, standing with arrows in one hand, seems to tread casually over symbols of human accomplishment—armor, a lute, a lined notebook—suggesting that love supersedes all human endeavors. The painting was an instant sensation among Rome’s…