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100 days 100 galleries; Day 35: Galeria Contempo, Trento Italy
Carlos Fentanes (CF): Isn’t it a disadvantage being away from a big city?Don’t you think it’ll be better for the gallery to have a place in Florence or Milano?When you are in a small city you have to start teaching the people about Contemporary Art before selling art. What do you think? Galleria Contempo (GC):…
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100 days 100 galleries; Day 34: Galerie Cyril Guernieri, Paris
Carlos Fentanes (CF): Your gallery is so small, A small space for great art.How do you manage to get people inside? Do they take turns? I don’t know if it’s true cause I’ve never been there but in the photos it seems very tiny, judge by yourselves. It was a very serious question but I…
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100 days 100 galleries; Day 33: Coastal Contemporary Gallery, Newport RI
Carlos Fentanes (CF): I have been following you for a while and I always find your site a source of inspiration. Your artists are very good. I’m going to tell you a secret: in the future I’m going to be part of your artists, not yet but I’m getting closer.Regards Coastal Contemporary (CC): Thank you…
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100 days 100 galleries; Day 32: Banditto Gallery, Tuscany Italy
Carlos Fentanes (CF): I received an invitation from Keri James about the Banditto Residency Prize. Then I tried to do some research and I couldn’t verify anything, nor the owner of the gallery, the place is for rent in Airbnb but there’s no reviews. Everything seems a scam.And then I found some comments on Facebook.Who…
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100 days 100 galleries; Day 31: Galerie Hugues Charbonneau, Montreal QC
Carlos Fentanes (CF): “Fosters the practice of 14 artists.” Why 14 artists, why not 15? or 13? Exclusively just them? Isn’t it boring? How do choose them? They seem very different between them. The gallery didn’t anwer. In their Instagram page they say: “Foster the practices of 14 artists / Expand theoretical discourses / Interdisciplinary”…
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100 days 100 galleries: Day 30: Galerie Jousse Enterprise, Paris France
Carlos Fentanes (CF): I have the perception that there was a peak in furniture in the 20th century and now it has been almost banished, what do you recommend me about modern furniture in 21st century? Galerie Jousse Enterprise (GJE): Dear Carlos,You can send your message to @jousseenterprise which is the account devoted to architect…
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100 days 100 galleries; Day 29: Dowling Walsh Gallery, Rockland ME
Carlos Fentanes (CF): Sky, lakes, clouds, some urban landscape…I can see this type of art in the North against South that is more figurative and the big cities that are prone to Abstract Art and Conceptual Art.Have you ever think about this? What are the factors? Weather? Education? Values? Dowling Walsh Gallery (DWG): nothing Another…
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100 days 100 galleries; Day 28: Capitain Petzel, Berlin Germany
Carlos Fentanes (CF): I saw your article about Stephanie Heinze and it was amazing. Her work, to said the less is intriguing, the article talked about it as Abstract Expresionism but I saw figures on it, it’s not totally abstract in that sense. How would you call it? Capitain Petzel (CP): Thank you for the…
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100 days 100 galleries; Day 27: Plus One Gallery, London UK
Carlos Fentanes (CF): In this era of ready made and Pop Art why choose Hyperrealism?It seems that Hyperrealism is the opposite of this modern times, now everything has to be made as fast as possible. Plus One Gallery (POG): (nothing) Yes, I think that now everything has to be made as fast and possible and…
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100 days 100 galleries; Day 26: Yavuz Gallery, Singapore
Carlos Fentanes (CF): Your gallery looks like a happy gallery.I see a lot of figurative art on your site, it seems like a trend now: less pop and more proposal. Are people getting tired of Conceptual Art and Pop Art? Yavuz Gallery (YG): (nothing) Nothing at all, maybe galleries are tired of artists asking silly…
Carlos Fentanes 