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100 days 100 galleries; Day 91: Soraya Cartategui Fine Art, Spain
Carlos Fentanes: Why Kaws artworks are so important? Sometimes I see them and looks like cartoons. The gallery didn’t answer. Is this a valid question? We have with him a world phenomenon, with sales everywhere, from clothes to Sotheby’s and biennials everywhere. Maybe there’s a part of me with a lot of envy and jealousy,…
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100 days 100 galleries: Day 90: Night Gallery, Los Angeles CA
Carlos Fentanes: When I look at a painting, sometimes I also spend time looking how is framed, how it’s hanged, how the space can be transformed by an object. I would like to see more of your space, not only the artworks. The gallery didn’t answer. When you want to evaluate a situation, in Mexico…
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100 days 100 galleries; Day 89: NIAD Art Center, Richmond CA
Carlos Fentanes: About redefining contemporary art, as your slogan said: I was thinking that there’s no way to redefine contemporary Art because every artist has its own definition of it, every time a contemporary Art is born there’s a new definition so redefining contemporary art is a truism. Nadia Center: Right. Except that we’re using…
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100 days 100 galleries; Day 87: White Rock Gallery, White Rock BC
Carlos Fentanes: When I look at a painting, sometimes I also spend time looking how it is framed, how it’s hanged, how the space can be transformed by an object. I would like to see more of your space, not only the artworks. The gallery didn’t answer. There are some galleries that I really want…
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100 days 100 galleries; Day 85: Gallery Henoch, New York NY
Carlos Fentanes: I love your posts, they are really focused on your artists, it seems that you’re proud of them, I like that but in the other hand you don’t publish anything about your space, how this wonderful Art works looks in a wall, with a frame. I would like to see more of your…
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100 days 100 galleries; Day 84: Paradigm Gallery + Studio, Philadelphia PA
Carlos Fentanes: I saw your posts and I see happy artists and then I imagined happy customers.What are the duties of an art gallery if they not make Art connections between artists and the audience. It’s good to find a happy gallery. The gallery didn’t answer. It didn’t work. I was being totally sincere and…
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100 days 100 galleries; Day 83: Galerie TON (Hyper)realistic Art, Rucphen Netherlands
Carlos Fentanes: When I look at a painting, sometimes I also spend time looking how it is framed, how it’s hanged, how the space can be transformed by an object. I would like to see more of your space, not only the artworks. The gallery didn’t answer. I was very interested in receive an answer…
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100 days 100 galleries; Day 82: Bugera Matheson Gallery, Edmonton AB
Carlos Fentanes: When I look at a painting, sometimes I also spend time looking how it is framed, how it’s hanged, how the space can be transformed by an object. I would like to see more of your space, not only the artworks. Bugera Matheson Gallery: Feel free to give us a call and swing…
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100 days 100 galleries; Day 80: Mianki Gallery, Berlin Germany
Carlos Fentanes: Hello, I like your booth at POSITIONS, a good balance between sculpture, paintings and works on paper. The gallery likes my comment Well it’s better than nothing, at least I finally get a reaction from these German people: it’s really hard, believe me. So what’s next? Once you get a reaction from a…
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100 days 100 galleries; Day 79: Galerie Z22, Berlin Germany
Carlos Fentanes: Hallo, ich habe deinen letzten Beitrag gesehen und sie erinnern sich an Musik von Serialisten wie Phillip Glass. Ich mag sie. The gallery didn’t answer In this occasion I tried to write in German but it didn’t work. I was trying to tell them that the works that they show in their gallery…
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Carlos Fentanes 